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Friday, September 7, 2018

Freaky Friday Fun Fall



Freaky Friday Fun Fall

Today’s theme is an extension of a previous blog: Ballet Secret #7w:  A dancer must not be afraid to fall.

Fear of falling is normal, but for a dancer falling is inevitable. Therefore, learning how to fall is important. Modern dance classes are helpful for this, and so is simply experiencing falling in class. This is infinitely preferable to falling in front of an audience, but the longer one dances the more likely this is to happen.

Think about and practice falling on the softer, more padded parts of the body, particularly the seat, sides of the upper thighs, etc. It is possible to teach your body to automatically roll to a soft place when a fall occurs – most of the time. It is also important to train your body to relax and not tense up during a fall.

In most cases, when a dancer falls, there is no injury. Most of the time. If an injury does occur, it is usually a minor one. All that being said, the fall scene in the movie Red Sparrow gives me chills.

Try to look at falling as just one more skill to be achieved, and try to have fun with it, like a young child does. A good attitude goes a long way toward eliminating fear.

From the Big Blue Book of Ballet Secrets
Secret #7ttt:
“Learn how to fall safely.”

Link of the Day:

Quote of the Day:
“You can't become a decent horseman until you fall off and get up again, a good number of times.
There's life in a nutshell.”
― Bear Grylls, Mud, Sweat and Tears

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Thursday, September 6, 2018

Throwback Thursday and Miriam Nelson



Throwback Thursday and Miriam Nelson

The world recently lost a significant person in dance history last month. Miriam Nelson, a dancer and choreographer for many films and television programs, died on August 12, 2018 at her home in Beverly Hills. She was 98.

Born in Chicago, Miriam Lois Frankel was fascinated bly tap dancing at an early age. When she was a teenager, her family moved to New York  where she continued the dance lessons she’d begun in Chicago.

She made her Broadway debut in “Sing Out the News” and went on to dance in five other musicals including Cole Porter’s “Panama Hattie”. Fellow performers included June Alllyson and Vera Ellen.

After her marriage to Gene Nelson (an actor, dancer and ice skater), the couple moved to Los Angeles and she began working a a contract player at Paramount. She danced in “Lady in the Dark” , “Cover Girl”, and other uncredited roles. She soon became known as a choreographer for films, creating numbers for her husband and many others.

In the 1950s she worked on television variety shows and choreographed the live, televised opening of Disneyland in July 1955. She worked on early TV programs like the “Donna Reed Show” and “Father Knows Best” and on through the decades with “Colombo” and “Murder She Wrote”. As if this weren’t enough she choreographed nightclub acts for Carol Channing, Ann Miller and others.

Behind the scenes, she was the “ghost tapper” for many movies, providing the tap sounds much like singers whose voices were dubbed over the celebrity leads.

She continued to tap dance into her 90s.

From the Big Blue Book of Ballet Secrets
Dance History Factoi #247:
“Miriam Nelson “ghost tapped” the audio for movies.

Link of the Day:

Quote of the Day:
“I knew, really knew, I would never die with my song unsung.”
― Gary Russo, Don't Die with Your Song Unsung

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Wednesday, September 5, 2018

Wacky Wednesday Wag



Wacky Wednesday Wag

It’s been several weeks since I posted a blog on posture. So here we go.

A common problem in alignment is the seat sticking out and the back arching. Scary stuff. This is caused by a tilt in the pelvis, and we all know there is no tipping, tucking or tilting in ballet. The pelvis must stay level – most of the time.

To keep the pelvis properly aligned, imagine having a long, fluffy dog’s tail that isn’t wagging. Rather, this tail is relaxed and hanging (from your tailbone) down toward the floor until it actually brushes the floor. And here it remains. No wagging.

From the Big Blue Book of Ballet Secrets
Secret #1www:
“Imagine a dog’s tail hanging down toward the floor.”

Link of the Day:

Quote of the Day:
“In times of joy, all of us wished we possessed a tail we could wag.”
― W. H. Auden

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Tuesday, September 4, 2018

Terminology Tuesday Lyre



Terminology Tuesday Lyre

In Gail Grant’s book Technical Manual and Dictionary of Classical Ballet, comes this term:  “Arabesque a la lyre [ a-ra-BESK a lah leer]. Arabesque with the lyre.
This position resembles the arabesque a deux bras (third arabesque Cecchetti)
but both palms are held up and the elbows are slightly curved as if the dancer
were holding a lyre. “

I think this defintion describes the position well.

A lyre is a stringed instrument that looks similar to a small harp. It was used by the ancient Greeks to accompany song and recitation.

From the Big Blue Book of Ballet Secrets
Terminology Secret #30f:
“In arabesque à la lyre, the dancer appears to be holding a lyre.”

Link of the Day:

Quote of the Day:

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Monday, September 3, 2018

Mad Monday Laser Bones



Mad Monday Laser Bones

Today I’m talking about lasar bones. This is not to be confused with lazy bones, which is an entirely different thing altogether.

Laser bones. Imagine a laser beam extending outward from each hip bone. It must remain level most of the time both lasers must always – always – face in the correct direction.

If you could actually put a laser light on each hip bone, it would be much easier to learn whether or not the hips are aligned correctly. So do the next best thing and imagine that you have them.

From the Big Blue Book of Ballet Secrets
Secret #7sss:
“ Imagine lasers on your hip bones.”

Link of the Day:

Quote of the Day:
“Everything you can imagine is real.”
― Pablo Picasso

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Sunday, September 2, 2018

Sunday September



Sunday September

Last Sunday I talked about taking time for stillness. Now, use that stillness and observe the changes that the wonderful month of September brings. Even for those of us who live in Florida there are changes. For Floridians, we get a few days when a hint of fall in the guise of temperatures lower than “fry an egg on the sidewalk” tease us. There is hope for cooler comfort to come.

In other climates, September is a month of beautiful weather and subtle changes. Slowly, leaves begin to color and drop, and some nights are cool enough for a sweater. There is a bittersweet anticipation about September – the lush, green glory of summer giving way, slowly, to the riot of fall color that precedes the inevitable chill of winter.

Observe and enjoy the changes that happen in your area.

From the Big Blue Book of Ballet Secrets
Secret #245:
“Observe and enjoy the subtle changes of the seasons.”

Link of the Day:

Quote of the Day:
“All at once, summer collapsed into fall.”
-         Oscar Wilde
-          
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Saturday, September 1, 2018

Saturday Comb Superstition



Saturday Comb Superstition

Here is yet another superstition from the backstage archives. If you should happen to drop a comb in the dressing room, you must leave it for someone else to pick up. If you pick it up yourself, it will bring bad luck. Hmmm.

This sounds to me like a made-up superstition by someone who was basically lazy. But there is some history here too. Dropping a comb while in the act of combing one’s hair by anyone (not just theater people) was said to foretell upcoming disappointment.

Whether the comb dropping superstition migrated from the masses to the theater or vice versa is a mystery.

From the Big Blue Book of Ballet Secrets
Superstition #136:
“If you drop a comb in the dressing room, you must leave it for someone else to pick up.”

Link of the Day:

Quote of the Day:
“If you don't stand for something you will fall for anything.”
― Gordon A. Eadie

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