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Wednesday, June 6, 2018

Wild Wednesday Foot Edge



Wild Wednesday Foot Edge

Ah, the seemingly simple rond de jambe. It is one of the first things a beginner learns, and as the saying goes - it takes a lifetime to perfect (like everything in ballet).

One perilous pitfall in a rond de jambe is coming through first position on the front edge of the foot (“rolling in” or pronating). This usually happens when the foot is coming from the back, but can also occur in the opposite direction. This means the little toe is completely off the floor (gasp!).

Always feel the floor on the whole bottom of the foot and all five toes as the foot passes through first position. Often the reason this edge-of-foot problem occurs is because the pelvis is tilted back (seat up), the rotation in the hip is not being used and this makes it difficult, if not impossible, for the whole foot to come in contact with the floor.

Be aware of this perilous pitfall, keep the rotation engaged, and the edge-of-foot problem will be soon be overcome.

From the Big Blue Book of Ballet Secrets
Secret #22n:
“Avoid the edge of the foot in first position.”

Link of the Day:

Quote of the Day:
“Nothing is ever as simple as it seems. At the edge of perception, weird things dance and howl.”
― M.H. Boroson, The Girl with Ghost Eyes

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Tuesday, June 5, 2018

Technical Tuesday Flexor



Technical Tuesday Flexor

When learning anatomical terms, it is often helpful to know the origin and meaning of specific terms. The first one is a more obvious one – at least to dancers – the word flexor.

The word flexor is derived from the Latin flexus, the past participle of flectere which means bender. Dancers are well aware of what it means to flex their feet, so there is no surprise here.

Flexor is often used with other anatomical terms such as flexor carpi ulnaris. Carpi refers to wrist, therefore flexor carpi means “wrist bender”. Ulnaris refers to the position at the ulna bone, so flexor carpi ulnaris means “wrist bender at ulna” or “bender of the wrist at the ulna”. Whew!

The point is, learning specific, commonly used terms permits an easier understanding of other, more complex anatomical terms. For other terms, see today’s Link of the Day below.

From the Big Blue Book of Ballet Secrets
Secret #27iii.:
“The word flexor means bender.”

Link of the Day:

Quote of the Day:
“How is it possible to have a civil war?”
― George Carlin

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Monday, June 4, 2018

Mad Monday Potato Cake



Mad Monday Potato Cake

A common error in rond de jambe en l’air is inscribing a large, perfectly circular shape in the air. It’s really not a circle, but an oval or oblong shape instead. The only exception to this is a double rond de jambe en l’air which is two small circles in the air.

A student of mine suggested that a single rond de jambe en l’air makes the shape of a McDonald’s hash brown cake and I think that is a great mental image for the step. It prevents a large circular pattern from happening – which often causes the hips to move and the working leg to lose rotation – plus, the hash brown image is fun.

Fun things are easier to remember, and more entertaining to do.

From the Big Blue Book of Ballet Secrets
Secret #22m:
“A rond de jambe en l’air makes the shape of a McDonald’s hash brown cake.”

Link of the Day:

Quote of the Day:
“I know it is wet and the sun is not sunny, but we can have lots of good fun that is funny.”
― Dr. Seuss, The Cat in the Hat

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Sunday, June 3, 2018

Sunday Under and Over



Sunday Under and Over

Recently I talked about replacing the word nervous with the word excited. Today I have another word replacement for you to try.

If you are having a bad day, or just feeling down and someone asks how you are doing, you might sigh and say: “I’m doing okay – under the circumstances.” Hmmm. The word under tends to have a negative feel, so why not replace it with the word over?

Okay. Now that you’ve done that, rethink your “bad” day. Imagine yourself being “over the circumstances” – not under. In other words, change your perspective. It will help you look for the positive instead focusing on the negative. Rise above things, and instead of being under the circumstances, you’ll be over them.

Looking down on your problems from a high altitude (like being in an airplane), makes everything below seem small and insignificant.

Be “over the circumstances”.

From the Big Blue Book of Ballet Secrets
Secret #135:
“Replace the work under with over.”

Link of the Day:

Quote of the Day:
“Countless possibilities exist in any situation. You must maintain a positive outlook to see the miraculous possibilities.”
― Lailah Gifty Akita, Think Great: Be Great!

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Saturday, June 2, 2018

Saturday Turn Around Rule



Saturday Turn Around Rule

When dancers travel across the floor (usually diagonally), it can be hazardous if they stop moving or (gasp!) turn around and go back – or, (double gasp!) back up. This is usually done in an attempt to fix something, or have another chance at a set of pirouettes or the like.

Don’t do it! If dancers turn around or back up they are apt to crash into the oncoming dancers, or at the very least, distract them from what they are doing. Neither scenario is safe. And most rules of classroom etiquette are designed with safety in mind.

Always continue to move across the floor, no matter what happens in the combination or what you’d like to “do over”. Fix it the next time around.

From the Big Blue Book of Ballet Secrets
Secret #28c:
“Never turn around and go back during an across-the-floor exercise.”

Link of the Day:

Quote of the Day:
“The journey of a thousand miles begins with a single step.”
― Lao Tzu

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Thursday, May 31, 2018

Throwback Thursday Chicken Dance



Throwback Thursday Chicken Dance

In the category of “you can’t make this stuff up” comes the Chicken Dance. For those of you who are unfamiliar with this, today’s Link is a clip of dancers from the Laurence Welk show performing this little ditty.

According to at least one internet source, it is “widely understood” that today’s chicken dance was inspired by the ballet La Fille Mal Gardee. As a side note, this ballet was choreographed by Jean Dauberval just two weeks before the storming of the Bastille.

La Fille Mal Gardee features an extended variation of chickens dancing, hence the reputed connection to today’s Chicken Dance. Many other choreographers have restaged and added their own stamp to La Fille Mal Gardee, notably Frederick Ashton (see second link).

La Fille Mal Gardee It is in the repertoire of many ballet companies today.

From the Big Blue Book of Ballet Secrets
Dance History Factoid #135:
“The ballet La Fille Mal Gardee is said to have inspired today’s Chicken Dance.”

Link of the Day:

Quote of the Day:
“If I didn't start painting, I would have raised chickens.”
― Grandma Moses

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Wednesday, May 30, 2018

Wacky Wednesday Knee Level



Wacky Wednesday Knee Level

Cities are often described by how close they are to sea level. A mountain city might be 4000 feet above sea level, while Miami exists at sea level. Parts of New Orleans are (gasp!) below sea level (hence their systems of seawalls and dikes).

All this brings me to grand pliés in second position. Dancers often go deeper than they should, allowing their pelvis to drop below their knees. They go below knee level. Not good. This puts a strain on the knees, and serves no useful purpose.

Instead, the pelvis should go just to knee level. Just like cities, going below sea level (or knee level) creates problems.

From the Big Blue Book of Ballet Secrets
Secret #2dd.:
“In second position grand plié, the hips must not go below knee level.”

Link of the Day:

Quote of the Day:
“Men argue. Nature acts.”
― Voltaire

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