2 3 Throwback Thursday and Turn-out | Ballet Webb

Thursday, November 6, 2014

Throwback Thursday and Turn-out


Throwback Thursday and Turn-out

Dancers are often asked:  “Why do you turn-out?”  There isn't a single answer: it provides a more beautiful line of the leg, particularly when it is in the air, it allows a great ease of movement, and it provides greater stability.

So how did this idea of” turning the feet out” come about?  Like the reasons for turn-out itself, there is more than one answer.  The short answer is that it developed from the fencing stance.  Turning the legs outward made it easier for the fencer to move quickly side to side and avoid the sword of his opponent.

Another answer is that turn-out came from the world of fashion.  Well dressed French gentleman wore wide topped boots that forced them to turn their toes outward as they walked.  And it was King Louis XIV of France who founded the Academie Royale de Danse in 1661 and hired Beauchamps to teach.   Beauchamps developed the five positions of the feet.

When ballet moved from the ballrooms of the royal courts onto a proscenium stage, dancers were viewed only from one side – and turn-out enjoyed a resurgence of popularity, since the royals on the stage didn't want the audience to view their back side.  Like the earlier fencers, the only way dancers could move easily side to side, (and thus hide their derrière), was to turn-out their feet.

There you have it.  That’s the not-so-short-answer as to why dancers turn out their feet.

From the Big Blue Book of Ballet Secrets:

Dance History Factoid #54:  
Turn-out developed over a long period of time from the fencing stance.

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