2 3 4 5 Ballet Webb

Sunday, July 7, 2019

Sunday Hope and Fear





Link of the Day:

Quote of the Day:
“Men go to far greater lengths to avoid what they fear than to obtain what they desire.”
― Dan Brown, The Da Vinci Code

Help expand the knowledge base!
Leave a comment about any instructions, ideas, or images that worked best for you!

My latest books are coloring books! They are available on Amazon.

Want to know more about me? Read my interview at Ballet Connections:

Or "Like" me on my Facebook Author Page:

Or visit my Pinterest page:

For interesting articles involving mental health:

Saturday, July 6, 2019

Saturday Pins and Pennies



Saturday Pins and Pennies

The superstition of picking up a penny being good luck may come from this old rhyme: "See a pin, pick it up/ and all day long you'll have good luck/ See a pin, let it lay/ and your luck will pass away."

The rhyme is included in early books of nursery rhymes, and is similar to this old English proverb from the 17th century: ”He that will not stoop for a pin, will never be worth a pound.”

For dancers, picking up a pin is not an uncommon occurrence and is certainly critical to prevent injuries – especially when dancing barefoot!

From the Big Blue Book of Ballet Secrets
Secret #:
“The superstition of picking up a penny may come from a rhyme about pins.”

Link of the Day:

Quote of the Day:
“Poems should be like pins which prick the skin of boredom and leave a glow…” ― Norman Mailer

Help expand the knowledge base!
Leave a comment about any instructions, ideas, or images that worked best for you!

My latest books are coloring books! They are available on Amazon.

Want to know more about me? Read my interview at Ballet Connections:

Or "Like" me on my Facebook Author Page:

Or visit my Pinterest page:

For interesting articles involving mental health:

Friday, July 5, 2019

Fun Friday Fling and Flop



Fun Friday Fling and Flop

A common problem dancers have when turning is applying too much force with the leading arm. Flinging. You have probably seen this. The leading arm should not be used to create the impetus for the turn but should only help maintain it. Flinging may seem like a good idea but it only serves to destroy the turn.

On the opposite side of this problem is the dreaded flopping or reluctant following arm. The following arm also assists in maintaining the force as well as creating the correct line and body alignment. If the arm drags reluctantly behind it alters the dancer’s balance. Scary.

Therefore, no flinging or flopping of the arms in turns.

From the Big Blue Book of Ballet Secrets
Secret #14eee:
“Avoid flinging the leading arm in turns.”

Link of the Day:

Quote of the Day:
“The major work of the world is not done by geniuses. It is done by ordinary people, with balance in their lives, who have learned to work in an extraordinary manner.”
― Gordon B. Hinckley

Help expand the knowledge base!
Leave a comment about any instructions, ideas, or images that worked best for you!

My latest books are coloring books! They are available on Amazon.

Want to know more about me? Read my interview at Ballet Connections:

Or "Like" me on my Facebook Author Page:

Or visit my Pinterest page:

For interesting articles involving mental health:

Thursday, July 4, 2019

Happy Fourth




Link of the Day:

Quote of the Day:
“Let us express our deepest gratitude to those who sacrificed their lives to give us freedom. Wish you all a very joyful Independence Day!”
― Debasish Mridha

Help expand the knowledge base!
Leave a comment about any instructions, ideas, or images that worked best for you!

My latest books are coloring books! They are available on Amazon.

Want to know more about me? Read my interview at Ballet Connections:

Or "Like" me on my Facebook Author Page:

Or visit my Pinterest page:

For interesting articles involving mental health:

Wednesday, July 3, 2019

Wacky Wednesday Wiggles



Wacky Wednesday Wiggles

There is seldom a place for wiggles in ballet. That’s right. Movement in ballet is pretty strictly prescribed and wiggling into or out of a position is frowned upon.

You know what I mean. Wiggling the body into place when one is angled a bit too far for a good croisé position; or wiggling in the preparation position before a pirouette; or wiggling into position after landing a turn. But probably the most common area for wiggling is this: wiggling into a tighter fifth position. Scary.

Is there ever a good time for wiggling? Maybe if one is slightly out of position in a corps de ballet rehearsal, then a slight wiggle to straighten out the line would be in order. Of course this is certain to be noticed by the choreographer and/or director.

Wiggling is seldom good in ballet.

From the Big Blue Book of Ballet Secrets
Ballet Statute #160:
“There is seldom a place for wiggles in ballet.”

Link of the Day:

Quote of the Day:
“Life is not a struggle. It is a wiggle.”
-Peter McWilliams

Help expand the knowledge base!
Leave a comment about any instructions, ideas, or images that worked best for you!

My latest books are coloring books! They are available on Amazon.

Want to know more about me? Read my interview at Ballet Connections:

Or "Like" me on my Facebook Author Page:

Or visit my Pinterest page:

For interesting articles involving mental health:

Tuesday, July 2, 2019

Terminology Tuesday Déboulés



Terminology Tuesday Déboulés

A term of the French school, déboulés [day-boo-LAY] means rolling like a ball. It is seen in the term tours chainés déboulés which we usually shorten to the familiar chainés.

Here is the definition of déboulés from: https://www.dictionary.com/browse/deboule:
"small, very quick half-turns executed alternately on each foot, usually in a series in a straight line.”


From the Big Blue Book of Ballet Secrets
Terminology Secret #48:
“Déboulés means rolling like a ball.”

Link of the Day:

Quote of the Day:
“The chains that break you, are the chains that make you. And the chains that make you, are the chains you break.”
― Anthony Liccione

Help expand the knowledge base!
Leave a comment about any instructions, ideas, or images that worked best for you!

My latest books are coloring books! They are available on Amazon.

Want to know more about me? Read my interview at Ballet Connections:

Or "Like" me on my Facebook Author Page:

Or visit my Pinterest page:

For interesting articles involving mental health:

Monday, July 1, 2019

Mad Monday Scrape



Mad Monday Scrape

In a rond de jambe, the foot takes a straight path through first position, just as it does in a cloche. See http://balletwebb.blogspot.com/search?q=mow about how this is like mowing the lawn – the foot cuts a straight, unwavering line.

Not only must the path be straight, the foot must be perfectly aligned as it moves along this track through first position. Unfortunately, in a rond de jambe the angle of the foot when it is fully stretched in derriere often doesn’t fully resolve and the front edge of the arch scrapes through first with the little toes not touching the floor. Scary.

The bottom of the foot must be in full contact the floor in first position. Full contact. No scraping through allowed.

From the Big Blue Book of Ballet Secrets
Secret #11q:
“The edge of the arch must not scrape the floor in rond de jambe.”

Link of the Day:

Quote of the Day:
“They talk about big skies in the western United States, and they may indeed have them, but you have never seen such lofty clouds, such towering anvils, as in Iowa in July.”
― Bill Bryson, 
The Life and Times of the Thunderbolt Kid

Help expand the knowledge base!
Leave a comment about any instructions, ideas, or images that worked best for you!

My latest books are coloring books! They are available on Amazon.

Want to know more about me? Read my interview at Ballet Connections:

Or "Like" me on my Facebook Author Page:

Or visit my Pinterest page:

For interesting articles involving mental health: