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Friday, December 21, 2018

Fun Friday Corner



Fun Friday Corner

Fouettés and à la seconde turns are fun and challenging. The most important thing is to maintain a constant position when in second, and use the plié. No surprise here.

But something that may surprise you is that the plié (and in fouettés the plié with the extension from attitude to devant) happens as the dancer faces the corner. That’s right and you can see it in today’s video below – if you aren’t distracted by watching her pirouettes!

Anyway, in à la seconde turns and fouettés, the plié happens as the dancer faces the corner, not directly front.


From the Big Blue Book of Ballet Secrets
Secret #14uu:
“In à la seconde turns or fouettés, plié facing the corner, not directly front.”

Link of the Day:

Quote of the Day:
“Every corner and room of a house will carry memories, make these the most pleasurable times you shared with your family.”
― Anthony Liccione

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Thursday, December 20, 2018

Throwback Thursday Eccentric



Throwback Thursday Eccentric

Eccentric dance is any dance that is unconventional or unique. It developed in the U.S. during the late 19th and early 20th centuries and included African, clogging and tap among other genres.

The team of Wilson, Keppel and Betty were said to be the “greatest eccentric dance act”. They were a popular attraction in the British music halls and vaudeville venues during the mid-20th century. The three performers were: Jack Wilson (January 30, 1894-August 29, 1970), Joe Keppel (May 5, 1894-June 14, 1977) and Betty Knox (Alice Elizabeth Peden, May 10, 1906-January 25, 1963). Over the decades there were actually several “Bettys” since the original Betty Knox left the act in 1941 to become a journalist. She worked as a war correspondent during WW II.

Wilson, Keppel and Betty’s act capitalized on the new Egyptian craze (following the opening of King Tutankhamen’s tomb) and they became famous for their “sand dance” that involved a soft-shoe number performed on layers of sand (see the Link of the Day below).

A biography about them called Wilson, Keppel and Betty: Too Naked for the Nazis by Alan Stafford, was published by Fantom Publishing in 2015. The book won the Bookseller/Diagram Prize for Oddest Title of the Year in 2016.


From the Big Blue Book of Ballet Secrets
Dance History Secret #203:
“Wilson, Keppel and Betty are known for their greatest eccentric dance act.”

Link of the Day:

Quote of the Day:
“Weirdism is definitely the cornerstone of many an artist's career.”
― E.A. Bucchianeri

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Wednesday, December 19, 2018

Wild Wednesday Five


Wild Wednesday Five



From the Big Blue Book of Ballet Secrets
Secret #21oo:
“Remember the five things to tell yourself before class.”

Link of the Day:

Quote of the Day:
“Don't aim at success. The more you aim at it and make it a target, the more you are going to miss it. For success, like happiness, cannot be pursued; it must ensue, and it only does so as the unintended side effect of one's personal dedication to a cause greater than oneself…”
― Viktor E. Frankl, Man's Search for Meaning

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Tuesday, December 18, 2018

Terminology Tuesday Cabriole en Tournant



Terminology Tuesday Cabriole en Tournant

As the term suggests, a cabriole en tournant [ka bree AWL ahn tour NAHN] is a cabriole that turns. It can be a cabriole dessous en tournant (turning under), or a cabriole dessus en tournant (turning over).

In the book Technical Manual and Dictionary of Classical Ballet the cabriole dessus en tournant is described as follows: “This is a grand fouetté en tournant done with the beat of a cabriole devant executed before the fouetté”. In the dessous version the cabriole is performed derrière and is executed after the fouetté.

Today’s short video shows the step being demonstrated.

From the Big Blue Book of Ballet Secrets
Secret #30b:
“Cabriole en tournant is a cabriole that turns.”

Link of the Day:

Quote of the Day:
“Teaching should be such that what is offered is perceived as a valuable gift and not as hard duty.”
-Albert Einstein

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Monday, December 17, 2018

Mad Monday Penchée Lead



Mad Monday Penchée Lead

The temptation in penchée is to drop the torso and follow the hand in front as it goes down. This leaves the working leg dangling in the back and relegated to the role of follower. Scary.

In reality, the penchée (working) leg is actually the leader, not the follower. It is the penchée leg that controls the whole operation and the torso and arm in front only follow its lead. And this is important for a successful and/or a six-o’clock penchée.

For every inch the penchée leg goes up, the torso goes down an inch – not more. Always lead with the penchée leg.

From the Big Blue Book of Ballet Secrets
Secret #11n:
“Lead with the working leg in penchée.”

Link of the Day:

Quote of the Day:
“Change begins at the end of your comfort zone.”
― Roy T. Bennett

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Sunday, December 16, 2018

Sunday Holiday Reflection



Sunday Holiday Reflection

 Enough said.

From the Big Blue Book of Ballet Secrets
Motivational Secret #137:
“Reflect on your blessings and give something back to others.”

Link of the Day:

Quote of the Day:
Dance. Smile. Giggle. Marvel. TRUST. HOPE. LOVE. WISH. BELIEVE. Most of all, enjoy every moment of the journey, and appreciate where you are at this moment instead of always focusing on how far you have to go.”
― Mandy Hale

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Saturday, December 15, 2018

Saturday and Triskaidekaphobia



Saturday and Triskaidekaphobia

A superstition common to many – not just theater people – is a fear of the number thirteen. There’s even a name for this: Triskaidekaphobia  [trih-ska-de-kah-fo-bi-yah].

Especially if it involves a Friday (and every year has at least one), the number thirteen is heavy with superstition. It isn’t difficult to find people who swear that bad things always happen to them on Friday the 13th and there are words for this fear: paraskevidekatriaphobia  and friggatriskaidekaphobia. As a side note, many high-rise buildings do not have a named 13th floor, and many elevators don’t go to a 13th floor.

President Roosevelt would not travel on the 13th day of any month and would not have 13 guests at a meal. Napoleon and President Herbert Hoover were also triskaidekaphobic.

The word’s origins are Greek, from tris, “three”, kai, “and”, deka, “ten” (so making thirteen), plus phobia, “fear, flight”. That being said, the word first appeared relatively recently, historically speaking, in 1911 (in Coriat’s Abnormal Psychology).

Now you know another fun word! 

From the Big Blue Book of Ballet Secrets
Secret #:127
“Triskaidekaphobia is fear of the number 13.”

Link of the Day:

Quote of the Day:
“I'm not nearly as afraid of Friday the 13th as I am of the people who are afraid of Friday the 13th.”
- Unknown

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