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Tuesday, July 8, 2014

Tuesday Sleep on It


Tuesday Sleep on It

There is an interesting phenomenon I have noticed about the way we humans process information – particularly things involving muscle memory.  When learning a new skill, or honing an old one, often the first day of practice involves little, if any, visible progress - and usually a lot of stumbling.  This is, to say the least, disheartening.

But after a good night’s sleep, the mental and physical pieces seem to have been assembled (by elves?) correctly and the new skill is now easier!  Magic!

Actually, there are scientific studies that show this to be true.  To quote from today’s link:  “…sleep itself has a role in the consolidation of memory, which is essential for learning new information.”  Aha!  It isn't magic after all – or elves.  It is simply the way it works.

So the next time you feel discouraged about your progress, get a good night’s sleep.  You might be surprised by the things that fall into place the next day!


From the Big Blue Book of Ballet Secrets:
Secret #36:  

“Sleep on it.”

                Link of the Day:

http://healthysleep.med.harvard.edu/healthy/matters/benefits-of-sleep/learning-memory

Quote of the Day:

““People say, 'I'm going to sleep now,' as if it were nothing. But it's really a bizarre activity. 'For the next several hours, while the sun is gone, I'm going to become unconscious, temporarily losing command over everything I know and understand. When the sun returns, I will resume my life.'

If you didn't know what sleep was, and you had only seen it in a science fiction movie, you would think it was weird and tell all your friends about the movie you'd seen.

They had these people, you know? And they would walk around all day and be OK? And then, once a day, usually after dark, they would lie down on these special platforms and become unconscious. They would stop functioning almost completely, except deep in their minds they would have adventures and experiences that were completely impossible in real life. As they lay there, completely vulnerable to their enemies, their only movements were to occasionally shift from one position to another; or, if one of the 'mind adventures' got too real, they would sit up and scream and be glad they weren't unconscious anymore. Then they would drink a lot of coffee.'

So, next time you see someone sleeping, make believe you're in a science fiction movie. And whisper, 'The creature is regenerating itself.”
George Carlin, Brain Droppings

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Monday, July 7, 2014

Mad Monday Maintaining


Mad Monday Maintaining

One handy little trade secret involves petit allegro combinations.  These jumping sets are always featured in any good ballet class, and are almost always found in auditions.  And, since we are not perfect, mistakes happen.

When it comes to auditions, we hope our mistakes will be few, or at least go unnoticed.  The easiest way to escape detection in any jumping combination is simple:  just keep jumping!   If you continue bouncing merrily along, in tempo with the rest of the group, it is likely that any minor error will go unnoticed.  (Unless it is a monumental blunder, in which case all hope is lost.)

So maintain the tempo and the bounce until the combination of steps can be picked up again and continued in the intended way.


From the Big Blue Book of Ballet Secrets:

Secret #15o:  
“In any petit allegro combination, if a mistake is made, just keep jumping in tempo.”

                Link of the Day:

Quote of the Day:
““Until then we must carry on and have courage.”
Jan Moran, Scent of Triumph

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Sunday, July 6, 2014

Today is Special


Today is Special

At the end of this holiday weekend, I offer this reminder:   cherish each day – not just holidays.  Don’t save the pretty china for Christmas, and the nice linens for company.  Use them.  Don’t wait to be happy for a holiday weekend.  Look for happiness today.

Look back on some of the most memorable days of your life.  How many were just normal, average days?  I’ll bet a lot of them – maybe even most of them.  So never underestimate the power and joy that lurk in a normal, run-of-the-mill day.

So look now – right now, this minute - for happiness, and don’t  just anticipate happiness that will arrive at some future date.

Today is special.

From the Big Blue Book of Ballet Secrets:

Motivational Secret #33:  
“Today is special.”

                Link of the Day:

http://www.youtube.com/watch?v=5lRWXHomzF0

Quote of the Day:

““What day is it?"
It's today," squeaked Piglet.
My favorite day," said Pooh.”
A.A. Milne

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Saturday, July 5, 2014

Saturday Sandbags


Saturday Sandbags

Holding tension in the neck and upper body is a common problem for many dancers.  This usually causes a lift in the shoulders and makes the lovely elongated neck necessary for a beautiful line disappear.  It is also an indication that the student is working with too much tension.

There are many images that can be useful for lowering the shoulders.  Long earrings and a parrot are two that I have featured previously on this blog.  But since this is an important subject, I offer yet another one:  sandbags.

Imagine a large, heavy sandbag balanced on each shoulder.  Feel the weight.  As this sensation of weight presses the shoulders down, feel a lift from the top of the head that elongates the spine.  There!  Instantly better posture by the use of imaginary sandbags!


From the Big Blue Book of Ballet Secrets:

Secret #1bb:  
To prevent lifting the shoulders imagine a sandbag on each shoulder.”

                Link of the Day:


Quote of the Day:

Books aren’t just my defenses, the sandbags I use to fortify my position; they are also the building blocks of my soul, and I am the sum of all I read.” 


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Friday, July 4, 2014

Happy Fourth!


Happy Fourth!

What better way to celebrate the Fourth of July than with George Balanchine’s ballet Stars and Stripes!

George Balanchine, it is said, wore his love for his adopted country “on his sleeve”.  He loved the U.S.A. and he loved New York.  Nowhere is this more evident than in the exuberant choreography of Stars and Stripes.

He choreographed Stars and Stripes in 1958, and used the music of John Philip Sousa, because, he said, he “liked the music”.  The ballet overflows with baton twirlers, marching bands, and of course, a huge American flag.  The original cast included:  Mellissa Hayden, Jacques d’Amboise, Allegra Kent and Diana Adams.

In 1981, when word was received about the imminent release of the American hostages in Iran, Balanchine quickly added the ballet’s finale to the evening’s program.

So have a wonderful Fourth of July, and enjoy today’s link featuring part of Stars and Stripes!

From the Big Blue Book of Ballet Secrets:

Dance History Factoid #37:  

“George Balanchine’s “Stars and Stripes” was choreographed in 1958, a celebration of his love of his adopted country, the USA.”

                Link of the Day:


Quote of the Day:

“All great change in America begins at the dinner table.”
-Ronald Reagan

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Thursday, July 3, 2014

Throwback Thursday and Eric Bruhn


Throwback Thursday and Eric Bruhn

Eric Bruhn was trained in Denmark and graduated from the Royal Danish Ballet School in 1947.  Despite this traditional background and the fact that he was often called “the perfect prince”; a New York Times writer states:  “The truth was that passion was at the heart of every Bruhn performance”.

He performed with many companies but mostly with The Royal Danish Ballet and American Ballet Theater.  He introduced many of Bournonville’s work to North American companies, including staging La Sylphide for the National Ballet of Canada.

Like so many great dancers, he was perfectionist who set the standards for many of his contemporaries.  His notable partnership with Carla Fracci remains one of the most memorable in dance history.   A short publication involving an interview with Eric Bruhn called Beyond Technique is a wonderful look inside the mind of a great performer who always did, indeed, go beyond technique.

Despite his abilities and his ranking as one of the best male ballet dancers of all time, Eric Bruhn is not a household word, like Mikhail Baryshnikov and Rudolf Nureyev.

 Eric Bruhn died of lung cancer in 1986.  He was 57 years old.


From the Big Blue Book of Ballet Secrets:

Secret #36:  
“Eric Bruhn exemplified the classical male ballet dancer, and was often called ‘the perfect prince’.”

                Link of the Day:


Quote of the Day:
“If I can stop one heart from breaking, I shall not live in vain.”
-          Emily Dickinson

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Wednesday, July 2, 2014

Wild Wednesday Punch


Wild Wednesday Punch

Yesterday I discussed brisés and said I’d talk later about the proper position of the arms.  Well, it’s later!

The positioning of the arms for brisés is the same as it is for a basic jeté:  one arm is in fifth en avant, the other in à la seconde, but the body leans slightly forward and slightly to the side.  It is this lean that makes this position unique, and what provides the counterbalance needed for the steps.

Imagine being punched in the abdomen and use that contraction to place the body in the correct position.  In other words, it is a contraction (every modern dancer knows this) with the body leaning slightly forward and slightly sideways, but always with the feeling of “up and over”.  For the ladies, it is like being “up and over” the tutu.

From the Big Blue Book of Ballet Secrets:

Secret #6u:  
The distinctive position of the arms for many things including brisés and jetés, is this:  one arm is in fifth en avant, the other in a la second; and the body leans slightly forward and slightly side: as though having been punched in the stomach.”

                Link of the Day:


Quote of the Day:

“A smile is the light in your window that tells others that there is a caring, sharing person inside.”
-          Denis Waitley

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