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Sunday, October 21, 2018

Sunday Embracing Fall




Sunday Embracing Fall

Embrace the beauty of fall and all its associated wonders! (I especially like the note above about the scent of old books!)

From the Big Blue Book of Ballet Secrets
Motivational Secret #250:
“Embrace the beauty, colors and wonder of fall.”

Link of the Day:

Quote of the Day:
“Life starts all over again when it gets crisp in the fall.”
-F. Scott Fitzgerald

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Saturday, October 20, 2018

Saturday Unusual Name?



Saturday Unusual Name?

In the world of the performing arts there are many interesting and unusual things. Often these things become lost to history.

A case in point is the Donmar Warehouse in London. Today the Donmar Warehouse is a 251-seat, non-profit theatre in Covent Garden that first opened on July 18,1977. But originally, the building was an 1870s extension of the Woodyard Brewery founded in 1740. Later, the vat room was used briefly as a movie studio and then a warehouse for storing and ripening bananas.

Ian Albery leased part of the old brewery in 1960. He provided services for theaters and for shows produced by his father, Donnald Albery. Later, he acquired the space of the old banana warehouse as well, opening the Donmar Rehearsal Theatre that was used by many companies including London Festival Ballet and the Beatles.

say it is a combnation of the names of Donald Albery and his wife (using her middle name Margaret). Other sources https://www.whatsonstage.com/london-theatre/news/20-amazing-theatre-facts_34626.html
say it is a combination of Donald Albery’s name along with ballerina Margot Fonteyn.


From the Big Blue Book of Ballet Secrets
Unusual Secret #142:
“The Donmar Warehouse was named for Donald Albery and Margot Fonteyn -maybe.”

Link of the Day:

Quote of the Day:
“Names have power.”
― Rick Riordan, The Lightning Thief

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Friday, October 19, 2018

Fun Friday Assemblé Diagnostics



Fun Friday Assemblé Diagnostics

Assemblé is a step that causes problems for many dancers – at all levels. Yes, we know the legs assemble, but therein lies the rub.

It helps to apply some diagnostics to the step. Check yourself on these and see if any of them are the problem. Here are the most common mistakes:
  • The legs don’t assemble fast enough.
  • The  legs aren’t crossed enough – making a landing in third, not fifth postion (fo fix this, think of crossing your thighs, not your feet).
  • Feet aren’t pointed (stretched fully) before leaving the ground.
  • Coordination of the legs and arms.
  • The assemblé leg goes too high.
  • The “bottom leg” isn’t coming up to meet the assemblé leg.

The last two of these are the most common errors  I see. It is important to think of bringing the bottom leg up – not the top leg down. And make sure the assemblé leg doesn’t go so high that the bottom leg can’t catch it.


From the Big Blue Book of Ballet Secrets
Secret #15ttt:
“Try running a set of diagnostics on assemblés.”

Link of the Day:

Quote of the Day:
“One who doesn't recognise an opportunity is bigger loser than one who tries his hand at an opportunity.”
― Amit Kalantri, Wealth of Words

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Thursday, October 18, 2018

Throwback Thursday and Louise Farebrother



Throwback Thursday and Louise Farebrother

An obscure dancer and actress from the 1800s is Louise Farebrother. In the photo above she is seen in the role of Abdullah in the ballet Open Sesame (1844). During this period, although most ballets were created by men, it became unacceptable for them to appear onstage. Therefore, many male roles were portrayed by women.

Sarah Farebrother (Louise was her stage name) was born on October 8, 1816, and became known more for her personal life than her professional one. She was one of very few dancers to actually marry into the aristocracy.

George, Duke of Cambridge (first cousin to Queen Victoria), fell in love with Louise. He soon began haunting the stage door of the Lyceum Theater where she performed. For several years they lived together before marrying in secret since the Royal Marriage Act decreed that a member of the Royal Family couldn’t marry without the permission of the current ruler. One account states that eventually Queen Victoria approved the union, another says she always ignored Louise. Due to the debate about her marriage, Sarah could not take on the title of Duchess of Cambridge or the style Her Royal Highness. Instead she was first known as Mrs Fairbrother and later as Mrs FitzGeorge.

Together they had three sons, George in 1843, Adolphus in 1846 and Augustus in 1847.

Louise died on January 12, 1890 and was laid to rest in the mausoleum in Kensal Green Cemetery in London.



From the Big Blue Book of Ballet Secrets
Dance History Secret #253:
                    Dancer Louise Farebrother married into the Royal Family.”

Link of the Day:

Quote of the Day:
There is only one true aristocracy . . . and that is the aristocracy of passionate souls!”
― Tennessee Williams

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Wednesday, October 17, 2018

Wacky Wednesday Habits



Wacky Wednesday Habits

We are all very familiar with habits. In dance we constantly hear about which bad habits we need to break and it is challenging. We don’t hear as much about good habits and how important they are in ballet training.

There’s a new book out that I want to read by James Clear called Atomic Habits https://jamesclear.com/ . It sounds like it might have some interesting ideas, especially for dancers (see the Quote of the Day below).

The Oxford Dictionary has several definitions of the word habit:
“A settled or regular tendency or practice, especially one that is hard to give up.” (Sounds like our bad dancer habits).
“An addictive practice, especially one of taking drugs.” (Hmmm, another negative).
“An automatic reaction to a specific situation.” (This could be good, but could be bad…).

Dance training, through its daily repetition, hopefully produces automatic good reactions. Of course this requires that the repetition is done well if not perfectly. That’s the problem. And that’s where all these blog ideas and images come in – they are designed to help with a more perfect execution.

Happy (good) habit making!


From the Big Blue Book of Ballet Secrets
Secret #:
“Dancers must guard against bad habits and cultivate good ones.”

Link of the Day:

Quote of the Day:
“You do not rise to the level of your goals, you fall to the level of your systems.”
-         James Clear

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Tuesday, October 16, 2018

Terminology Tuesday Autour de la Salle



Terminology Tuesday Autour de la Salle

Autour de la salle (oh TOOR duh lah sal) is a term in the Cecchetti school of training. It means “round the room”. It indicates that a series of turns and/or jumps are to be performed in a circular pattern around the room or the stage.

I seldom hear autour de la salle used today, instead the French term en manège is used. It means “as at a riding school or in a cirucus ring” (Gail Grant, Technical Manual and Dictionary of Classical Ballet).

From the Big Blue Book of Ballet Secrets
Secret #30l:
“Autour de la salle means ‘round the room’.”

Link of the Day:

Quote of the Day:
“There is something particularly special and personal about the circle and how its curves comfortably rule every aspect of our lives.”
― Kat Lahr, Parallelism Of Cyclicality

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Monday, October 15, 2018

Mad Monday Fun Five



Mad Monday Fun Five

No, I’m not talking about the five positions of the feet. Instead, today’s blog features the five basic jumps in ballet. They are:

1.     Sauté = any jump from two feet landing on two feet; or sometimes, one foot to the same foot. It literally means “jumped” and when this word is added to another step it means the step is performed while jumping.
2.     Temps Levé = a hop from one foot to the same foot. This term means " high time ." 
3.      Jeté = any jump or leap from one foot to the other. It means “throwing step”.
4.     Assemblé = a jump from one foot landing simultaneously on two feet. It means “assembled” or “joined together”.
5.     Sissonne = a jump from two feet, landing on one foot. The exceptions are sissonne fermée, sissonne tombée and sissonne fondue, which finish on two feet.

Now you know!


From the Big Blue Book of Ballet Secrets
Secret #15sss:
“There are five basic categories of balletic jumps.”

Link of the Day:

Quote of the Day:
“To practice five things under all circumstances constitutes perfect virtue; these five are gravity, generosity of soul, sincerity, earnestness, and kindness.”
-         Confucius

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